Paul Thomas Anderson's newest film is a paean to moderate leftism
> Anderson’s alternative vision is captured in the final scene of the film.
Also crucially in Benicio Del Toro's underground railroad. Service-oriented and quietly effective in contrast to the showier French 75
TBC, it caricatures the MI right by making it appear massively more bloodthirsty and racist than it was/is, and the revolutionary left by making it appear massively less bloodthirsty and racist than it was/is.
> Anderson’s alternative vision is captured in the final scene of the film.
Also crucially in Benicio Del Toro's underground railroad. Service-oriented and quietly effective in contrast to the showier French 75
TBC, it caricatures the MI right by making it appear massively more bloodthirsty and racist than it was/is, and the revolutionary left by making it appear massively less bloodthirsty and racist than it was/is.